Ports 1961 Case Analysis - 1246 Words

CASE STUDY: PORTS 1961 I. Background Ports 1961 is a subsidiary of parent company PORTS International. It was founded in Canada in 1961 by Luke Tanabe in what started as a thriving family business that lost its standing due to mismanagement by Tanabe’s successors. In 1989 the company was acquired by brothers Alfred Chan and Edward Tan. After a global economic recession hit the market, Alfred decided to close all American operations and moved the entire business to China in 1993. He focused on building the first luxury brand wholly made and distributed in Asia. Ten years later, success was evident when the company went public on the HKSE and was named one of the â€Å"Best under a Billion† businesses in Asia Pacific in 2006. In†¦show more content†¦One can argue that if the full ecommerce potential is reached and stores are strategically opened in emerging markets PORTS should see continued growth outside its borders. III. Weaknesses amp; Threats Inasmuch as opportunities for growth are available, PORTS will first have to deal with the imminent challenges it is facing. In May of this year, the Financial Times reported that PORTS â€Å"suffered a 38 per cent share price fall in Hong Kong after its chairman resigned over failure to disclose related party transactions.†(3) The article further explained that â€Å"chairman Edward Tan accepted full responsibility for failing to exercise proper procedures and controls resulting in breaches of listing rules.†(3) In the world of luxury, scandals and negative publicity have no room. PORTS is yet another publicly traded Chinese company facing scandal over corporate governance issues. One has to wonder if the family nature of the business is what permitted a situation of this nature to take place. PORTS would benefit from playing within the rules and steering clear of any new scandals or reminders of the labels’ Chinese origins. Lastly, PORTS is facing another challenge in their own backyard. In a recent turn of events â€Å"luxury goods maker Burberry warned that its sales had stalled in the clearest sign yet that falling demand from China is affecting the onceShow MoreRelatedExport And Import Strategy For The Shipping Lines1045 Words   |  5 Pagesfor any organization of national Importance. Shipping industry indeed is a prestigious establishment of its kind. It needs such framework of the account and financial statement to tackle the financial strategies. All such concept starts from the analysis of the data of preceding years, which are available in the accounts and financial statement of the shipping company. So the conceptual framework of the accounting process has vital importance. 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The Merchant Of Venice As A Tragedy - 1363 Words

The Merchant of Venice is a tragedy Jean Racine, a French dramatist of the 17th century France, states, â€Å"Life is a comedy to those who think, a tragedy to those who feel† (Goodreads). In the early days of its staging, the play The Merchant of Venice written by William Shakespeare is considered to be a comedy, but as the world develops there is controversy as whether to believe that the play is actually a tragedy. The play is centered on two main plots: the bond plot and the casket plot. The bond plot is about two best friends, Bassanio and Antonio, forming a high risk agreement with a Jew, Shylock. The casket plot is about Bassanio, a young Christian, trying to court a rich heiress, Portia. The Merchant of Venice can be ruled as a tragedy†¦show more content†¦Yet, after all that the Christians went through, even escaping death itself, they still reverted back to their old ways which can be seen when Gratiano taunts Shylock as soon as he loses his fortune: Beg that thou may’st have leave to h ang thyself- And yet thy wealth being forfeit to the state, Thou hast not left the value of a cord: Therefore thou must be hang’d at the state’s charge. (IV.i.362-365) The ‘Christians’ laugh and torment Shylock and while Shylock tries to take revenge, he loses everything and the ‘Christians’ win and walk away free as per usual. The ending was definitely unfair and ‘Christians’ did not improve their poor behaviour. The next aspect that contributes to The Merchant of Venice being classified as a tragedy is the role of women in the play. During the Elizabethan era, when the play was produced, women were highly under-estimated. This is presented in the play through Portia. Portia is a rich, beautiful and smart heiress. Many men travel to Belmont so that they may compete for her hand. However, she does not have much of a choice about who she will marry. Her dying father created a contest for her suitors. The contest includes them choosing one out of three caskets. The one who chooses the correct casket will win her hand. This is unfortunate for Portia whose future is at stake. Portia expresses her concerns about th e casket contest to her lady-in-waiting, Nerissa when different suitors travelShow MoreRelatedTragedy in The Merchant of Venice1472 Words   |  6 PagesAccording to dictionary.com, a tragedy is a form of art based on human suffering; furthermore, it is a dramatic composition, dealing with a serious or somber theme, typically that of a great person destined through a flaw of character or conflict with some overpowering force, as fate or society, to downfall or destruction. 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But I was pleasantly surprised toRead MoreThe Merchant Of Venice : A Story Of Despair And Pain714 Words   |  3 PagesLogan Steenstra Mrs.Kleinmeyer Gifted Communication Arts II 29 April 2016 The Merchant of Comedy The Merchant of Venice, a story of despair and pain. Wait, nevermind it’s a comedy. There are too many humorous scenes for it not to be a comedy. It may not seem very funny but, in this time period this play would have been very humerous. I still think this play is a comedy because what isn’t funny about women pretending to be men, how Shylock and if you compare this play to Shakespeare’s other worksRead MoreThe Merchant of Venice Is a Tragicomedy....I Got 32/35 so Its a Good Essay1558 Words   |  7 PagesA tragedy is a drama or literary work in which the protagonist is brought to ruin or suffers sorrow, especially as a consequence of tragic flaw or moral weakness. Where as, a comedy is a drama or literary work, that is light and often humorous or satirical in tone and it usually contains a happy resolution of the thematic conflict. Thus, a tragicomedy is a fictional work that blends aspects of the genres tragedy and comedy. In Shakespeare’s time a tr agicomedy referred to a serious play with a happyRead MoreXenophobia in Othello and the Merchant of Venice1541 Words   |  7 Pagesand Tragedies From 1589 to 1613 William Shakespeare produced some of the most original, thought-provoking and emotionally compelling plays, sonnets, and poetry. Two of his finest pieces of work, Othello and The Merchant of Venice feature dynamic characters, and insights into the chivalry and the xenophobic disposition of the English people at the time. 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This is an ongoing area of debate, but many believe that the comedies share certain characteristics, as described below: * Comedy through language: Shakespeare communicated his comedy through language and his comedy plays are peppered with clever word play, metaphors and insults. 1. Love: The theme of love is prevalent in every

Feminist Literary Criticism Feminism Feminist Wome Essay Example For Students

Feminist Literary Criticism Feminism Feminist Wome Essay n Criticism Feminist Literary Criticism As a pragmatic critical endeavor, most forms of Feminist literary criticism share a fundamental assumption that the historical subjugation of women has definite and deleterious effects upon both women and men. The critical project of Feminist critics is thus concerned with uncovering the contingencies of gender as a cultural, social, and political construct and instrument of domination (Jehlen 265). Whether by focusing on the evolution of literature written by women or by reevaluating or reinterpreting previous works by men, Feminist critics challenge the eternal opposition of biological and aesthetic creativity which past and present notions of gender promote (Showalter 1105). The first step in attempting to change such deep seeded cultural assumptions is to acknowledge and identify their existence and impact. One has to read for gender; unless it figures explicitly in story or poem, it will seldom read for itself (Jehlen 273). Feminist literary criticism is not exclusionary, however. Gender is one of a number of salient critical terms long neglected, an additional lens, or a way of lifting the curtain to an unseen recess of the self and society (Jehlen 265). By allowing Feminist critics to see both deeper and more broadly into a text, investigations into gender aspire to produce more meaningful interpretations and a more demanding generation of interpreters (Jehlen 272). Works Cited Jehlen, Myra. Gender Critical Terms for Literary Study. Ed. Frank Lentricchia and Thomas McLaughlin. Chicago: The University of Chicago Press, 1995. .

Roman And Greek Mythology Essays - Mythological Kings, Deities

Roman And Greek Mythology Greek and Roman mythology have many similarities between them. Each type has there own set of Gods and Goddesses, although they were worshiped for similar reasons. The following will explain each God or Goddess and explain how they compare to each other. The King of Gods in Greek Mythology is known as Zeus. Zeus was the ruler of the sky, and had the power to create thunderstorms and lightning as well as earthquakes. He was the child of Cronus and Rhea. As the story goes he was their sixth child, and the father to protect him from being overthrown had eaten the five previous children. Zeus was taken to a city called Crete and hidden from his father. As Zeus grew older and learned of what happened he found a potion to make his father regurgitate the other children. Once this happened they all teamed up and killed their father. Zeus then became the ruler of Mount Olympus, and head of the new line of Gods. Jupiter was the predominant power holder of Roman Gods. He was ruler of the sky, the daylight, all the weather, and even the thunder and lightening. Jupiter helped drive back the Sabines. His temple was built in the Capitol, and newly elected counsels offered their first prayers to him. Hera was the wife and sister of Zeus, and the High Goddess of the Greeks. She was extremely jealous of the affairs that her husband was having and often tormented or harmed the mistresses he was fooling around with. Although, when she went too far, or tried to cause death, Zeus would intervene and stop her. Hera tried to ship wreak Heracles on his return from Troy, and with that Zeus had her hung by the wrists from top of the mountain with an anvil tied to each ankle. The two had four children together. Juno, Hera's counterpart, was the wife of Jupiter. Juno was the protector of women, especially those who are married. Women often gave offerings to Juno to help with their childbirth. The God of the Underworld, Hades, was the brother of Zeus. He gained Hell, as his share in conquering their father. He is most known for kidnapping his wife, Persephone, while she was picking flowers in a field. As the story goes, Hades had her eat a piece of food in the Underworld, therefore she could not live on the Earth again. Her father, Zeus, made arrangements for her to be allowed on Earth for two-thirds of the year and in the Underworld as Hade's wife for the rest of the time. This is used as the cause of spring and winter. When she returns to the surface she brings spring with her and when she returns to the Underworld she leaves winter behind her. Pluto, the Roman God of the Underworld, who's name also means rich. It reflects the rich mineral resources beneath the ground and the rich resources above the earth. In art he is shown with the Horn of Plenty. This horn is most likely why we associate the Devil, or Satan, as having a horn on top of his head. His name was thought of to be bad luck, and therefore was hardly mentioned in myths. Ares was the child of Zeus and Hera. He was the God of War. Whenever he was seen or portrayed he would be fully armed and ready for battle. Any cause to fight or go to war would bring him out and about. He was the discomfited lover of Aphrodite. Almost all of his children by mortal women were of a violent nature. Mars, The Roman God of War and Agriculture, was the second most important god after Jupiter. The month March was named after Mars, and was also the first month of the Roman calendar. March was the month when agriculture was reborn and when most people engaged in war. Mars was given his own priest and altar in Rome. The wolf and woodpecker were the sacred animals of Mars. A festival in October was held in his honor and all farmers and soldiers would lay aside their weapons and had a celebration. The Greek Goddess of Love and Beauty was Aphrodite. She was married to the Smith God, Hephaestus, but left him for the God of War. She favored the Trojans during the Trojan War. She was known to have angry mood swings and all the gods and mortals paid dearly for it. Aphrodite and Venus were counterparts